Thou Savage Woman: Female Killers in Early Modern Britain By Blessin Adams

USA Today Bestseller

Timed for the 250th anniversary of America's independence: Paul Revere's history-making ride and its aftermath

On April 18, 1775, a Boston-based silversmith, engraver, and anti-British political operative named Paul Revere set out on a borrowed horse to fulfill a dangerous but crucial mission: to alert American colonists of advancing British troops, which would seek to crush their nascent revolt.

Revere was not the only rider that night, and indeed, he had completed at least 18 previous rides throughout New England, disseminating intelligence about British movements. But this ride was like no other, and its conse'Popular history at its best' Spectator

'Boisterous… replete with stabbings, bashing and thumping' Daily Mail

'A cocktail of brutal, tragic, and fascinating true crime from the era of the Tudors and Stuarts. This dark history at its best, narrated with empathy and precision' Gareth Russell

LADY KILLERS AND FEMME FATALES – STORIES OF MURDER MOST FOUL – HAVE GRIPPED PUBLIC IMAGINATION FOR CENTURIES

Early Modern Britain was awash with pamphlets, ballads, woodcuts broadcasting bloodthirsty tales of traitorous wives, greedy mistresses, cunning female poisoning lacing the supper with deadly substances; of child killers and spiteful witches, stories of women wholly and unnaturally wicked. These were printed or sung, tacked the walls of alehouses, sold in the streets for pennies and read voraciously to thrill all. But why? When the vast majority of murders then (and now) are committed by men.

In this bold, page-turning new history, former police officer and historian Blessin Adams tells stories of women whose violent crimes shattered the narrow confines of their gender – and whose notoriety revealed a society that was at once repulsed by and attracted to murderous female rebellion. Based on detailed research in court archives, each chapter explores murders that thrilled and terrified the British public; the crimes that caused the most concern and provoked the most debate. Women in this period killed rarely, and when they did it was usually within the context of extreme provocation or domestic violence. Adams has the ability of the best crime novelists in recreating the setting in which each case occurred as well as the motivations of each perpetrator.

Thou Savage Woman reminds us that women in the past had voices, that they sought to control their bodies and their environments and that they also had the capacity for committing acts of unspeakable violence.quences in the months and years to come―as the American Revolution morphed from isolated skirmishes to a full-fledged war―became one of our founding stories.

In The Ride, Kostya Kennedy presents a new narrative informed by fresh research into archives, family letters and diaries, contemporary accounts, and more. Kennedy reveals Revere’s ride to be more complex than it is usually portrayed―a coordinated series of rides by numerous men, near-disaster, capture by British forces, and finally success. While Revere was central to the ride and its plotting, Kennedy reveals the other men (and, perhaps, a woman with information about the movement of British forces) who helped to set in motion the events that would lead to America’s independence.

Thrillingly written in a dramatic, unstoppable narrative, The Ride recreates an essential American story for a new generation of readers.